Wnętrze kościoła w Juszczynie

Architects of the past used to draw, paint, sculpt, or work as carpenters. These manual activities allowed the architect to be “alone with their imagination”, to reach deeper into their own sensitivity.

Can an architect who is an efficient manager and director, skillfully coordinating collaborators, still create authentic architecture, one that flows from their own (and not someone else’s) personal sensitivity?
Or are today’s architectural studios places where personal sensitivities become objects of purchase-and-sale transactions… Do the manual activities of the architect, reduced to typing on the keyboard of a cost calculator, not lead to dulling of the senses?